Unterfeuer Westerooge

While I wait for the electrical gubbins to arrive I've been working on the lighthouse that will hopefully set the scene and hide the fiddleyard a bit. Actually the model is not of a traditional lighthouse as much as an 'Unterfeuer' which I think translates as a 'Navigation light'. An Unterfeuer tends to be smaller than a lighthouse, and works with an 'Oberfeuer', which is much taller and usually further inland, so that ships can line up the towers or lights to guide themselves through river or sea channels. The model is based on an Unterfeuer at Baumrönne, one of several which work in conjunction with the Altenbruch Oberfeuer, and is not too far from where Westerooge is supposed to be. As an added advantage the height of the Baumronne Unterfeuer in 1:43 scale is almost exactly the length of a standard tube from a roll of kitchen towels.

I'm debating if I should have the windows clear or of they should have a card backing, as the picture of the original seems to show the windows being largely shuttered. I know I could make a detailed interior, but 'Westerooge' is supposed to be a short-term project and I'd like to finish it before we go to visit my family in mid-May. This isn't as ambitious as it sounds: I've ordered the remaining electrical parts so they will arrive any day now, and I already have all the track and scenic bits for finishing off what will be a fairly flat model, so I think things will speed up now, as long as I don't keep procrastinating.

I'm already planning the summer project: I'll tell you about it in the next blog entry.

[Update: Just as I was about to publish this entry, DHL delivered a box of electrical goodies]

Reservations

Here's a free travel tip: next time you want to plan a train journey, use the Deutsche Bahn website. Seriously. Even if you're travelling entirely in the UK. It is more accurate than the National Rail enquiries website, as I discovered when planning a journey from London to Northallerton today. the British website suggested we take a train leaving 5 minutes before our Eurostar arrived, or offered the attractive option of waiting in the station until early the next morning. I had a sneaking suspicion that even in the UK trains leave the capital more than twice a day. A quick look on the DB site showed one running about an hour after we arrived. I called National Rail Enquiries with some trepidation (In Germany I call helplines as a last resort: they take ages to pick up the phone, operators are frequently unpleasant and unhelpful, and they charge premium rates) But the person on the other end was very friendly and confirmed this train was running. Perhaps they use DB too. I'm told British station staff often do.

This being the brave new world of the privatised rail network, National Rail Enquiries couldn't reserve a seat so I was connected to the train operating company help desk and I had a nice chat with 'Norman', who was very apologetic but said to reserve seats with a Britrail pass like the one we are travelling with, you have to go to London Kings Cross ticket office in person. Now call me awkward if you will, but this seems an odd requirement for a ticket which is not available to residents of the UK.

Norman was as helpful as he could be, and suggested we go to coaches 'G' and 'H', because of there is space it will usually be there, and that we talk to the conductor to find where there are some free seats.

So it seems that UK officialdom (as represented by the NR website and rules) is its usual haphazard self, but the people on the end of the phone are friendly and efficient. It will be interesting to see how this works over the three weeks of fairly extensive train travel while we are in the UK.

Sinsheim 2008

To one used to British model railway exhibitions, the 'Faszination Modelbau' in Sinsheim is immense. It covers just about everything: model railways, trucks, diggers, planes, boats, racing cars, and tanks. Eldest Son and I were going to meet Alexander Rainer and see his 'Rittigsmühle' model, but it took 20 minutes for us to even find the model railway section, and even then finding a shoebox-sized layout in the huge hall proved difficult. Eventually we stumbled across it by accident while craning to see around the back of a well made N scale model:

Rittigsmühle: The new circular section with incline.

Track going off bottom right leads to the mill itself.

The Mill yard with Alexander's diesel shunting.

Wood delivery waits to be unloaded.

I'll admit I went a bit overboard with pictures- but It's been so long since I went to an exhibition, Alexander's scenery was really nice, and besides, I'd been invited to take my little diesel and mess van to do a guest turn, and despite them being far too big for the tunnels, I wanted to take pictures of them on a real railway as well. I've tried to keep down the pictures here, instead putting most of them in a new album on my fotopic gallery

My loco in the yard at Rittigsmühl,
pretending it is small enough to go through the archway.

The one place the diesel could run: on top of the incline.

Diesel in the trees.

The mess wagon spent the day exiled on here with the workman vainly trying to push it.

Of the other layouts, the majority seemed either to be in the 'Overgrown train set' style, with lots of automation but rabbit warren tunnels and carpet-like grass, or very, very big (although very beautiful) modular layouts based on German and American prototypes. Fortunately, around 'Rittigsmühle' there were a couple of other small models which not only looked as if they would fit into a normal house, but were also very well built and presented.

'Blockstelle Eselsbrücke'

One of these was 'Blockstelle Eselsbrücke' in 'N' gauge, which looked like you could hang it up in the living room. Maybe that's what the owners do when at home. It was backed by a massive sandstone cliff, with a double track main line running along the bottom, along which trains ran every few seconds.

Freight bursts out of the tunnel.

View of the slipway to the river. Another freight passes.

The cliff fronted by a double-track electrified main line is probably based on a famous section along the Rhine between Frankfurt and Köln, and like that line, trains ran past every few seconds. It was also carefully detailed without being overdone, with some German details like the cliff top viewpoint and the cross on an overhanging rock. The model had sound, but this was confined to a CD of birdsong playing on a continuous loop. Very nice. On second thoughts, I wouldn't hang it on the wall, I'd put it where the TV usually stands.

Weimar railcar on the Döppenauer Kreisbahn,
complete with the drivers bike.

The other layout I found myself repeatedly looking at was the 'Döppenauer Kreisbahn', a narrow gauge local government railway in 1950's West Germany. It took me a while to figure why it looks so open, but I think it was the way the track is angled to the front of the model, and the scene rises gradually towards the rear, rather like a stage in the older, grander theatres.

This model also had a lot of Cameo scenes, but what I really liked was the way the line and station was part of the landscape, and the separate scenes were linked by the railway. I guess I'm also biased because it had some nice big diesels as well...

Diesel-hauled train running into the station at Döppenau.

Freight yard at Döppenau

Of the larger layouts, my favourite was 'Balen', a visiting model from the Netherlands which included this Dutch street and fortress. The townscape had a boat running past through the canal.





Further along it had this realistic modern double junction, with a large construction site behind.



American outline models aren't really my thing, but this little scene caught my eye, and appealed to my dark sense of humour

One of those days...

I think I'm failing in my education of eldest son though. As we came into the hall for the first time, he saw these and fell in love, and all the rest of the time he kept asking me to take him back for another look:

Oil rig supply ship and fire launch on the boating lake.

All the way home he was talking about radio controlled boats.

I think a new project is coming soon...

Stuck.

I'm stuck. It's inevitable when working in a different country where things aren't always the same as you are used to: Sometimes there is an annoying delay while you hunt for bits. This time, the bits in question are electrical -an area I'm not too confident in. I've found a shop on the internet that sells what I'm after: plugs, and slider switches, which is a step forward in that I know what to ask for, (Thanks to Zabdiel for the Wiki tip) but lack of knowledge makes me a bit cautious about forking out €20 in one go, which is the minimum for an online purchase. I'm searching for a local electrical shop where I can have a good look at the components first.

Which is a bit frustrating, so let's talk about something more interesting. I've got a train ticket to go to a model railway and toy exhibition with Eldest Son this weekend, where I'll hopefully be able to meet Alexander Rainer, a German member of the Gnatterbox, who will be exhibiting an model railway in a shoe box. He wants me to take my mess car along for a visit. I just hope it fits on his model.

Meanwhile I'm still hoping to get this model done by May, after which we will go to visit my family in the UK. After we come back, I've got another idea for a project, which is just a few sketches and a vague idea at the moment. I'll give more details as I know them. It is another attempt at the Körschtalbahn, although Sägewerk Pfeifle will have to wait still longer until my boys desist from climbing up the furniture.

The dark art of the sector plate -1

Ever since I started Westerooge I've had the same nagging thought at the back of my mind, namely that I hadn't a clue how to make the offstage area, usually called the 'fiddle yard', which represents the rest of the Island. I knew I would have to attempt a sector plate, a sort of sliding table for trains to save space offstage, but sector plates always seemed to be a dark art: a mysterious knowledge knowledge passed down to the initiated, but never divulged to the masses. That's why I've been putting off working on the fiddle yard in Westerooge for ages now, but the trouble with that is it became even more of a barrier in my mind, so yesterday I decided it was time to have a go.

The box 'closed' with the cutout fitting into the same attachment as the fiddle yard.

Remarkably, it seems to be working so far: the base fits into the side of the board and hasn't warped, sagged, or fallen off.. I'd hoped to get the deck for the track completed before posting this, Next job is working on a deck for the track and hopefully getting the electrics sorted out, and I can finally play trains and start the creative scenery bit.

On the subject of electrics, if anyone out there knows the name of DPDT switches (Seen here on 'Plankerton Wharf') in German, and where to get them, Please let me know...

How 'narrow gauge' can work.

In case you think I've forgotten about modern image narrow gauge, here's a short (90 second) impression of the Matterhorn-Gotthardbahn in Switzerland, showing how effective a narrow gauge railway can be if we just give it the chance. It's not trying to restore something from the past, laudable though this is, but it is a modern, if small railway serving the local area. The passenger trains and 'Glacier Express' in the video are just a part of their traffic: they carry a lot of freight and even have motorail services on one section of the network.

I like the covered bridge that opens onto the railway shown in the video. I'm fortunate as well that the Schwarzwald has a lot of these all over the place. I think a smaller version may turn up one day. Those B-B electrics look good too.

Industrial Archaeology.

Yesterday I was in a warehouse visiting the location shooting of a film project I'd helped out on last week. This isn't half as glamorous as it sounds, but while I was there and everyone else was busy doing important technical stuff I don't understand, I happened to see a wagon turntable in the ground, which turned out to be part of a small system which I estimate to be 50-60cm gauge. The track looked pretty old and clapped out, but then so did much of the warehouse, and one of the staff said that they still use it regularly. He also said I could take pictures, so I ran off and did before someone else came along who thought otherwise.

The back of the works, looking out of the hall pictured above: disused track and chimney.

The only wagon I could find, lurking at one end of the warehouse.

Fairly heavy-duty cast turntable

View out of the front door. The tree is at the edge of the former standard gauge goods yard. The narrow gaige track is very close to the door and further along the street there are the remains of some standard gauge wagon turntables opposite similar factory doors. I did wonder if a standard gauge siding once came through the doors.

Overhead view showing the scales in the background. The disused track dissapearing bottom right goes into the offices where it runs along a corridor

I wanted to take a picture of the standard gauge turntables but unfortunately when I went back someone had parked on them in defiance of several 'no parking' signs. I'll try another day.

Spot the difference.

On the face of it, there seems to be little change since the last time I posted, but the track is here, giving a far better idea of clearances and radii, while a friend who is a carpenters apprentice has carefully cut the front and sides of the box file out, I've built up the ground level inside the box, giving an eye-level, rather than 'lighthouse keeper's' view. The front folds back up, allowing the box to close normally.

I'm also working on a mock-up for the detachable fiddle yard, made from the usual cornflake packets of which I have an inexhaustible supply. This is proving to be the tricky part of the design, partly because I've never built anything like it before, but with work finally beginning to calm down a bit I'm really hoping to get the design together in the next week.

I'm planning to use plastic card as my construction material, which may seem odd but I want to keep weight down, and with such a tiny fiddle yard, (about the same length as the big freight wagons on the Körschtalbahn) I don't think it will cause too many problems. We shall see. All thoughts, feedback, etc, welcome.

Normal service will be resumed as soon as possible.

This has been a very quiet blog for the last week, partly because of pressures of work which kept increasing since January, but also but also because of a severe cold/flu attack which kept me firmly horizontal for a while.

‘Westerooge’ is actually progressing faster than it would seem from the lack of updates here. I have been able to get track and a few other essential bits and I’ll get some pictures up as soon as I'm able to take them.

No news then good news

Stuttgart-St. Pancras return tickets...

This blog has experienced a rather long silence, mostly because of time pressure from work and because Michi's sister and brother in law came with our two lovely little nieces. We’ve been showing them around Stuttgart for the bare five days they were able to be with us.

Today we dropped them off at Stuttgart main station on a train for Frankfurt, and at the same time we were able to finally get tickets so we can come to the UK by rail from May the 12th to June the 9th. We also have a ‘Britrail’ pass to travel within the country so hopefully we can get to a couple of places and see people, although the 7mmnga meeting in Burton won't be possible.

We've wanted to go by rail and the recent announcement by the local airport ("We need more money, so we're going to take more land and build another runway") made us only more determined not to fly. Besides, the airline industry is very creative imagining up extra ways to make life more miserable, like determining that you can only carry 100ml of water, shouting at you at every opportunity, and dreaming up lots of extra 'costs' so after you've booked your flight they add things like 'Airport Tax', 'Service charge', 'Administration charges', 'fuel surcharge', 'security costs', 'runway toll', and 'Mandatory Insurance'.

I may have got a bit confused with some of those costs as the list is very long and in very small print, but with these little extras and the overnight stop in a hotel because the plane lands in Manchester just before ten, and the taxi fare to and from the hotel, the train actually looks reasonable in comparison: it is definitely quicker door-to-door, and that at 10% of the emissions, much less noise, no massive runways, and no-one shouting at us about how much water we can carry.

Going up in the world.

Westerooge takes shape. The unfinished lighthouse
lends a distinctly 'Steampunk' feel to the model.

If this entry seems even more disjointed than normal it’s because I’m writing it between dealing with a wriggly toddler and getting ready for the evening meal: life is hectic and doesn’t show any sign of slowing down for a while.

However, on Sunday I had a few moments to spare and it dawned on me that I can still work on the few structures which will be on the layout and the plan, so here is a progress shot showing how things are developing.

The two sidings are an attempt at an 'Inglenook' shunting puzzle (look here if you're wondering what that is): it looks a bit crowded though so perhaps I should remove the points and just have one siding to avoid cluttering the model. The 'main line' theoretically crosses the only road on the island (where the locomotive and wagon are sitting) and continues to the next clutch of houses. In fact, of course, it will drop off the front of the model.

It has dawned on me that I can squeeze one building on the model, and that is a lighthouse. This would not only set the scene as most definitely coastal, but also distract the eye away from the hole in the side of the box where trains will enter and exit the model. The excellent website at Leuchttuerme.net has lots of different designs and is packed full of information about the different types, colours and purposes of lighthouses which I'll ramble on about that when the model is more complete. for now suffice to say that the lighthouse will be a modern design, partly to place the model firmly in the present day, and also for other reasons too long to bore you with right now but which will become clear as the model progresses. It is about 11 scale metres at the moment, quite respectable for a small lighthouse, but I'm wondering if artistic licence requires it to be a tad smaller. I expect I'll have to build it to find out, but any thoughts are welcome.

And on that thought, I'll be off to make the tea.

Small Steps

Current progress is slow, frustratingly so, but I’ve at least managed to paint the wagons so they look a bit more like the real thing. I’ve managed to get a bit of weathering and texture on a couple as well, but they are crying out for some rust to be added at some point.

As there is unlikely to be any progress on the box file this week the MFO staff say they'll try and get the couplings fitted and the Körschtalbahn wood wagon finished. Don’t hold your breath...

Storage Problems

With Westerooge falling behind schedule the test track at the Maschinenfabrik Ostfildern is getting severely cluttered at the moment, so the staff are having to adopt new storage methods to fit everything in.

The High Tech MFO spray shop

Newly installed painting equipment at MFO.
Heady stuff, especially before someone opened a window...

The Maschienenfabrik Ostfildern is proud to announce the opening of a new high-tech eco-friendly spray booth, made entirely of recycled materials found lying around the workbench. The wagon seen resting on the paint stand (found after a long search in the wood bin) is the high-capacity wood wagon being built for the Körschtalbahn. This has waited for about two months for the MFO staff to finally get organised, and had to be dusted before it was painted…

The stock for Westerooge is also primed and ready for painting up into their future work-worn state, so construction could finally commence.

Meik said it was the wrong shade of grey.

The wagons on Monday evening.
The MFO say they 'got a bit more done'
since then and promise to post pictures
as soon as possible...

Island or Hallig?

Ockelützwarft, Hallig Hooge. The land in the foreground is flooded during spring tides. The houses are clustered on the small hill or Warft to keep them above sea level. Source: Wikipedia.

In my last post I was muttering about changing Westerooge from a deserted nature reserve to an inhabited island. I still like the idea of the nature reserve, but I’ve realised that for a whole host of reasons, one with people is probably easier to start with. I wasn’t going to make a plan until the track arrived, but I was getting distracted by ideas for the next project which I’ll inflict on you sometime, and I wanted to focus on the box file a bit. I sketched out an idea on the Gimp, which I'll inflict on you as well.

Here was my dilemma though: should it be an Island or a Hallig? A Hallig is a very low-lying patch of land, just barely above the sea, and left over from the days when the sea destroyed the coast in the Middle Ages. Instead of being ringed by dykes they are left open to flooding while any houses stand on a man-made hill, called a Warft, which keeps them just above the waves at spring tide. Thats a very rough definition anyway. For a more in-depth definition and history of these places, have a look here.

Luttmoorsiel-Nordstrandischmoor railway looking towards the Halligen in the distance.
Source: Wikipedia

In some ways the two Hallig railways are more interesting because they are the only connection to the mainland and the locals all have their own little railcars. They –the railways that is- are also flooded when there is a spring tide. And there was the problem: I wanted a building, and you don’t build those on flood plains. On the other hand, a building, however small, would dominate the model, so I’m going with Westerooge as a Hallig. No buildings but plenty of open space. Well… sort of.

Miscellany.

I’ve got no modelmaking done so far this weekend, nor am I likely to as I’m working most of today and tomorrow, I’m waiting for some bits like track that I’ve ordered, and I managed to forget the money I needed to buy spray primer on Thursday.

So I’m mostly planning and ‘imagineering’ right now, and trying to figure out how to make Westerooge fit into a boxfile. I’ve been playing a bit with different combinations, but none seems to have fitted as yet, partly because I’m finding it hard to combine my goal of having a spacious model, and an interesting one to operate. I’ve also been wondering how to make it clear that this is a modern railway. I’ve been looking through collected photographs and ideas, and realised that with the ‘uninhabited island’ there is nothing that can date the layout in the present day, and also that what really interests me is how the railway interacts with people and the landscape around it. This is making me wonder if I should relax a bit and allow the island to be inhabited or maybe even have a link to the mainland. This would give me the chance to have a road across one part of the station and perhaps some signs dotted about, so a viewer can get an idea of the scale of the trains. I’ll keep doodling.

I’ve not forgotten the Körschtalbahn either: I’m keeping Growler 1 on the shelf by my desk, and occasionally working on stock even though it is going to be a while before I can actually build a layout in 0-16,5. I had a bit of a clearout a while back, and rediscovered those two Hornby chassis I had lurking away so I’ve been doodling ideas for them too. I’d really like to get them wired together and running vaguely reliably, because I’m still dreaming of of having my own Krokodil…

Layout inna box

Westerooge continues to develop and I'm confronted with the problem of how to get a feeling of wide open spaces in a box file. The best solution I can come up with is to make everything very simple, so my plan is to play about with one set of points and a couple of bits of track until I get a combination which seems to work, and then start building.

It also occured to me that don’t know what to use as an exit point. Westerooge is an uninhabited island, so it’s not like there’s a convenient café to hide the fiddle yard behind, nor are there any bridges, pipes or even large trees. I think the most likely solution is a dune or a dyke with a gap for the trains, and then a ramshackle workshop to serve for small repairs, a few more rolling dunes and if I'm feeling brave, just a hint of the North Sea on the backscene...

Maybe I'll just say it's foggy that morning and paint it grey...

Train of thought…

The picture above shows the extent of this weekend’s progress: I've adapted 7 wagons from the Black Dog Mining Co. to take DG couplings and glued underframes to bodies. I’ll put the couplings on after I spray the wagons with primer, which will be after I get some primer, probably on Thursday as I’m teaching English near the hardware shop then.

I guess I should have some belated new year resolutions here, so I can check in December and be reminded of them, but with Middle Son still doing the ‘King Kong’ impressions up the shelf, I don’t know when I’ll be able to start on ‘Sägewerk Pfeifle’ –especially as his smaller brother is already claiming the high ground on the Sofa, so he’ll be climbing anything with a foothold in a couple of months, so I doubt the model will be safe in the near future. On the other hand ‘Westerooge’ is moving along if a bit slowly, and if I follow my plan to keep it in a box file it should be safe from small fingers (and teeth) so track permitting, this will probably be the main project for the year.

I’m also hoping to go and see a few other railways, especially local Narrow Gauge lines, as there is a lot of the local area that is accessible by rail, the most civilised transport form, and I’ve not had a good look at it, and as I have a railcard offering a 25% discount it’d be silly not to use it more, so I’ll aim to be taking lots of pictures and I’ll inflict my stories on you all as well.

But then, “The Körschtalbahn” is a bit redundant as a blog name if I’m going to be writing more about prototype railways, and the model I am building this year is based on the North Sea coast, so to reflect all these changes, I’m changing the title -for now at least- to the broader “Railway Misadventures”. I’ll see if I like it enough to keep it…

The Körschtalbahn still remains my first interest though, so I doubt I’ll be able to stop working on buildings and stock for Sägewerk Pfeifle, ready for the day when the smaller persons are less prone to try and eat it…

Complete Mess

Meik was getting on my case about fixing the mess van so I finally got it together yesterday. When tested on the normal chassis the it showed a tendency to dive nose first into the track when moving which spilt Meik’s coffee. After Meik calmed down the chassis was duly lengthened, and a test run was accomplished without further damage.

The roof is made from the same deluxe materials as the walls, namely cereal packet card although it does have an overlay of recycled printer paper. I figured Meik wouldn’t want to mess about with an arched roof, so I made it pitched, and added shutters to protect the windows when the van is stored outdoors. These two measures make it look like a garden shed on wheels, but there we go.

Rear view of the van while Meik was shunting.

I’m wondering about having red and white warning signs on the corners like a lot of German work vehicles do, so I tried it out using the Gimp:

And then, as I was using the Gimp in any case, I couldn't resist one for the British ‘modern image’ enthusiasts…

Twilight at our local Christmas market, Esslingen.

Many thanks to the long-surffereing readers of this blog for your encouragement, suggestions, ideas and friendship over the last 12 months. Wishing you a happy and most blessed Christmas and new year...